Music

CD Review: Kendrick Lamar’s “DAMN.” – A Manic Search

May 3, 2017
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Kendrick Lamar has produced a scattered album for a scattered time.

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Concert Review: New England Philharmonic’s “A Fanfare and Fireworks”

April 30, 2017
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There aren’t too many ensembles around that consistently remind us how fresh, rich, diverse, and thought-provoking contemporary can be.

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Concert Review: Tchaikovsky, Takemitsu, and Shostakovich at Symphony Hall

April 28, 2017
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Violinist Anne-Sophie Mutter gave a searing, intense reading of the solo part in Nostalghia (In Memory of Andrei Tarkovskij).

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Concert Review: Boston Philharmonic Youth Orchestra plays Mahler

April 27, 2017
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So, what is one to make of the BPYO’s weekend effort? It was a bit bold, to be sure. But it was also stirring, heartfelt, and timely.

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Concert Review: “Bach Trios” — Yo-Yo Ma, Edgar Meyer, and Chris Thile

April 24, 2017
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J.S. Bach has been subjected to every imaginable kind of transcription, but the combination of mandolin, bass, and cello is probably new.

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Commentary and Preview: The Shrinking Scene v. Jazz Week and the Thelonious Monkfish Jazz Festival

April 22, 2017
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I try to be optimistic, but it’s hard not to observe that the jazz club scene in eastern Massachusetts is worse than it’s been in decades.

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Concert Review: Andris Nelsons conducts Mozart and Bruckner

April 18, 2017
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Mitsuko Uchida is quite possibly the finest Mozart pianist around today, at least among non-period specialists.

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Concert Review: Roomful of Teeth and A Far Cry

April 16, 2017
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Sometimes new music isn’t really new and old music isn’t actually old; the best of it exists on some other plane entirely.

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Concert Review: Leonard Bernstein’s “Mass” at the Boston Conservatory

April 13, 2017
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The Boston Conservatory production of Mass was mostly frustrating, but Leonard Bernstein’s score came across very strongly.

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Classical CD Reviews: the Nash Ensemble’s Bruch and Carlos Kalmar’s Haydn

April 12, 2017
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A welcome triumph for Hyperion, Bruch, and the Nash Ensemble, but the Oregon Symphony does not do right by Haydn.

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