Music

Classical Music CD Review: “Bach: Toccatas” — A Harpsichord of Feral Energy

August 14, 2019
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In this extraordinary recording, harpsichordist Mahan Esfahani is given a chance to perfectly convey the power of his emotions.

Music Review: The Gloucester Blues Festival — A Manageable Model

August 13, 2019
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I left thinking that holding a blues (or a jazz) festival in every city and town would not be a bad idea. It’s a better way for municipalities to spend their money — with a surer payoff — than tax abatements for Amazon.

Music Commentary: In Brian Wilson’s World, Bad Vibrations Are Never Far Away

August 9, 2019
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The recent death of longtime guitarist Nicky Wonder just the latest setback for pop genius Brian Wilson

Music Interview: Klezmer Clarinettist Michael Winograd Does “Kosher Style” Proud

August 8, 2019
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“There’s a giant chip on the shoulder of those who love musics of the world when it comes to klezmer.”

Rock Concert Review: Queen + Adam Lambert — Close to the Real Thing

August 7, 2019
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Now more than ever, “the people,” of all ages, want Queen. How lucky we are that Lambert, May, and Taylor are willing and able to deliver.

Jazz Concert Review: Newport Jazz Festival 2019 — Exalting Diversity

August 5, 2019
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“It’s not something to be tolerated,” saxophonist Kamasi Washington said. “It’s something to be celebrated.”

Arts Fuse Podcast #18: The End of an Era

August 4, 2019
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Have no fear! The Arts Fuse podcast will be returning soon in a new format.

Folk Music Review: Dueto Dos Rosas, Five Songs

August 2, 2019
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Dueto Dos Rosas’s tunes can be classified as rancheras or corridos, but their style has a very particular historical resonance.

Rock Concert Review: The Struts — A New Charismatic Force

August 1, 2019
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Luke Spiller of the Struts: probably rock’s most commanding frontman since Freddie Mercury, Mick Jagger, and Steven Tyler in their prime.

Arts Commentary: Some Thoughts on the Boston Philharmonic Youth Orchestra’s 2019 Brazilian Tour

August 1, 2019
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Suffice it to say, the tour was an extraordinary experience, musically and culturally, and, for me, a conspicuously potent introduction to a new continent.

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