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When asked about why he chose to focus on a dog, Todd Solondz says: “I knew I wanted to do a dog movie.”
One of the ironies inf American Rhapsody is that most of the artists Pierpont takes up didn’t find life in America to be rhapsodic at all.
There is plenty of comedy in this horror film: think A Midsummer Night’s Dream meets I Love Lucy.
This canny writer is concerned with the kind of complicated family relationships that engaged his Jewish literary forebears.
Arts Fuse critics select the best in theater, visual arts, film, music, author events, and dance for the coming week.
I can’t quite believe I’m cautioning viewers about the troubling nature of a documentary about tickling.
This production of Driving Miss Daisy isn’t about conflict and irresolution, but sentimental reassurance.
Director Nicholas Winding Refn has turned the dark side of modeling into a horror film, one that will no doubt generate plenty of controversy.
Patrick Gabridge’s political satire presents some intriguing sci-fi-like concepts, but the play falls into too many narrative potholes.
Critical Commentary: Critical Injury at the “Boston Globe”
The Globe tells us that we will be gaining compelling stories. What are we losing? Invitations to think seriously about artistic accomplishment and failure.
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