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KEEP THE ARTS FUSE LIT! — Our Winter Appeal

Help us continue to go where other arts magazines fear to tread, recognizing under-appreciated classical music, jazz, and dance performances.

Even taking into consideration my several objections, this Faust is one of the most accomplished and intriguing opera releases of recent years.

Much ado about nihilism.

Bedlam’s provocative production of The Crucible has a purpose — to urge us all to stand up and shout down the devils in our midst.

Play It Loud is porn for musicians and fans who fetishize the tools of the trade.

Dragon Lady ‘s power lies partly in its existential authenticity, the power of the personal.

An Arts Fuse regular feature: the arts on stamps of the world.

Polling classmates from her all-girls high school, Helen Epstein hears them remember their experiences facing sexual predators on the subway.

An Arts Fuse regular feature: the arts on stamps of the world.

An Arts Fuse regular feature: the arts on stamps of the world.

Bill Marx December 10, 2019 at 7:50 pm on Book Review: “The Conservative Sensibility” — A Plea for a Return to NormalcyI agree — though I would add that the date on the can has expired.
Matthew Hanson December 10, 2019 at 7:11 pm on Book Review: “The Conservative Sensibility” — A Plea for a Return to NormalcyNo doubt that climate change denial is a serious issue, and one that conservatives either laugh off, deny, or obfuscate...
Bill Marx December 10, 2019 at 2:45 pm on Book Review: “The Conservative Sensibility” — A Plea for a Return to NormalcyA typically fine piece from Matt, but he seems to have caught some of Will’s soggy gentility. The brutishness and...
J Hughes December 10, 2019 at 7:42 am on Rock Concert Review: The Australian Pink Floyd Show — A Very Worthy TributeI cannot disagree more with these comments. Considering that they played at David Gilmour's 50th birthday party and that Nick...
Nickie Abbott December 9, 2019 at 10:37 am on Rock Concert Review: The Australian Pink Floyd Show — A Very Worthy TributeCouldn't agree more! We saw them in Cambridge on 5th December 2019; if they had mannequins on the stage, I...