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Demolition eschews the conventional, spinning its way to a completely unforeseen yet beautifully apt conclusion.
The dancers in Yanira Castro’s company, a canary torsi, learned historically correct period movements.
Audin scrutinizes political commitment when it is undertaken by representatives of an intellectual discipline detached from the real world.
Director Lee Mikeska Gardner has put together a dazzling production that matches Tom Stoppard’s dazzling script.
These pieces could have been written yesterday, which speaks volumes about the eternal recurrence of the moronic inferno of the political.
“Nah Nah Hey Hey Kiss Him Goodbye” lead singer Gary DeCarlo finally lands the spotlight.
I was finally won over in the last act, when Everybody Wants Some! turns a little emotional, a little “girly.”
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