Commentary
Until recently, the Museum of Fine Arts has ignored Boston’s artists of Jewish heritage.
A visionary ‘Paper Architect’ who influenced popular culture as well as a generation of architects.
Local music venues — especially those with “off” music like jazz — are caught in a vice, with real estate escalation on one side and corporate-dominated digital technology on the other.
The strategic silences in the Boston Globe’s piece on the legacy of Israel Horovitz are disturbing.
Chappaquiddick may satisfy some for whom Ted Kennedy was overdue for a comeuppance.
Those who stopped at the top of the Boston Common, at about 1 p.m., witnessed an extraordinary work of performance art.
If the New York Times can’t make a reasonable case for the need for discrimination rather than salesmanship, we are in real trouble.
The BSO seems to have taken to heart complaints about its lack of programming diversity, devoting two full programs to underrepresented groups.
To my surprise, the auto union was written out of the picture from the start, as if dramatist Dominique Morisseau saw it as an embarrassment.
Book Commentary: Portnoy’s Revenge
There’s something Shakespearian about the grasp of Philip Roth’s fiction.
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