Commentary
Programming can make a difference in who feels invited to the table, and Provincetown International Film Festival has made it clear that diversity—especially supporting the work of female-identified filmmakers—is a top priority.
The quality of the experience has as much to do with the star’s in-person performance as it does with the film itself.
Diverting the resources of Boston’s regional theaters into the casino of Broadway undercuts the ideals that launched the regional theater movement.
Slayer has been as good and dependable as any band ever has been in rock and roll.
Eugene Jarecki’s ramshackle, occasionally provocative, and frequently entertaining documentary on Elvis Presley gets some things wrong.
Berber guitarist Omara “Bombino” Moctar proved that the gifts behind the fingers are still all that matters.
“They travel the world and have for years,” says Ellen Seeling, “sending the message that there are no women good enough to be in this organization.”
For the moment, it is refreshing to see how carefully the music is being recorded and packaged.

Theater Commentary: Can Audiences Rescue Theater Criticism?
Will working with audiences encourage stage companies and theater artists to go beyond the status quo? Or just cement them into their sweet spots?
Read More about Theater Commentary: Can Audiences Rescue Theater Criticism?