Commentary
Composer Florence Price’s lack of acceptance into the American canon is shameful.
The Altenberg-Lieder feature Alban Berg at his most direct and concise, as well as his most sumptuous.
Evening at the Talk House is a savage indictment of our country’s acceptance of the immense, horrific violence necessary to maintain our consumer comforts.
Recommended hashtags for the Boston Theatre Critics Association: #MeTooGiveMeTime, #MeTooNotYet
There’s something Shakespearian about the grasp of Philip Roth’s fiction.
Until recently, the Museum of Fine Arts has ignored Boston’s artists of Jewish heritage.
A visionary ‘Paper Architect’ who influenced popular culture as well as a generation of architects.
Local music venues — especially those with “off” music like jazz — are caught in a vice, with real estate escalation on one side and corporate-dominated digital technology on the other.
The strategic silences in the Boston Globe’s piece on the legacy of Israel Horovitz are disturbing.
Rethinking the Repertoire #25: Esa-Pekka Salonen’s “Foreign Bodies”
For a composer who hails from Finland but found his spiritual home in Southern California, Esa-Pekka Salonen’s is a singular musical voice.
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