Commentary
Charles Ives continues to stand, after 140-plus years, as the ultimate American Composer.
TV’s The Exorcist reinvents its source material for an occult-savvy (not to mention cinema-savvy) audience.
We have the obligation to look behind the music and the culture that glorified and perpetuated it.
The range of recordings issued this year was remarkable, both in terms of their instrumentation and their artistic inspiration.
A line-up of concerts, performances, and recordings that, as 2017 draws to its close, I can’t, for one reason or many, shake from my memory.
Does anyone really believe that there is no sexual harassment going on in Boston area theater companies today?
These articles dramatize, sadly, who was listened to and who wasn’t when sexual allegations were made against playwright Israel Horovitz in the early ’90s.
Critics were once seen as the ‘canaries in the mineshaft’ — now newspapers and magazines are closing down the mines.
After 36 years of twice-a-week pickup basketball at the Cambridge Y at Central Square, I recently cleared my locker and said adieu.
Rethinking the Repertoire #20 – Vasily Kalinnikov’s Symphony no. 1
Kalinnikov’s First Symphony is one of those neglected works well worth beating a drum for.
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