Commentary
I love subtlety, and beauty, and trash, and terror, in equal measure.
Boston theater critics value stage venues that are “convenient” and “familiar.”
Why is The Berkshire Museum a sinking ship?
Even after death, the human instinct is to kill or be killed.
The well has evaporated for much of new American independent cinema.
Two stories about how a public process, because of politics, can make it very difficult, and costly, to connect two points.
If the ballyhoo around the Public Theater’s Julius Caesar is a sign of the times, then we have a lot more than Trump to fear.
Music Commentary: “Bernstein at 100,” aka Tanglewood 2018
In honor of what would have been Leonard Bernstein’s hundredth birthday, the Tanglewood Festival is pulling out all the stops.
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