Commentary
Roseanne Barr recently apologized to billionaire Holocaust survivor George Soros for claiming he collaborated with the Nazis.
By taking the stage with 15 musicians, none of whom is female, the Jazz at Lincoln Center Orchestra presents the music as segregated and outdated.
In contrast to the contrived food shows of today, Anthony Bourdain brought class and vigor as well as creativity to his fascinating stories of food and travel.
For a composer who hails from Finland but found his spiritual home in Southern California, Esa-Pekka Salonen’s is a singular musical voice.
Composer Florence Price’s lack of acceptance into the American canon is shameful.
The Altenberg-Lieder feature Alban Berg at his most direct and concise, as well as his most sumptuous.
Evening at the Talk House is a savage indictment of our country’s acceptance of the immense, horrific violence necessary to maintain our consumer comforts.
Recommended hashtags for the Boston Theatre Critics Association: #MeTooGiveMeTime, #MeTooNotYet
There’s something Shakespearian about the grasp of Philip Roth’s fiction.
Rethinking the Repertoire: Postlude
The moral should be to err in favor of the audacious. That’s what this world – and this art form – require.
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