Jason M. Rubin
The event is not merely a celebration of the Cabot’s centennial; in 2020, it’s an act of defiance.
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At his best, Matthew Schultz’s abilities as a writer transcend the small, tight canvasses he has prepared for himself.
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Working Man does an excellent job dramatizing the poverty and desperation of people who live paycheck to paycheck.
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All in all, this album a pretty easy recommendation for those who like Al Di Meola and/or the Beatles.
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Adam Sherman, Cambridge-based musician, voice teacher, and vocal coach never went away.
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Michael Kiwanuka blends singer/songwriter with funk and soul, the energy of Afro-pop with the intensity of psych and prog.
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Neil Peart was a thinking man’s octopus behind a massive drum and percussion kit that he played with blazing speed and peerless precision.
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Two recent biographies take very different approaches as they revel in the wild lives and examine the distinctive songs of two of rock music’s most enigmatic figures: Lou Reed and Warren Zevon.
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At a time when a number of established music venues in the Boston area have closed, Club Passim continues to thrive, thanks to the loyal grass-roots support it has enjoyed over six decades.
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The turf war for the bodies and souls of Montana’s Jews makes for an engaging inter-tribal drama.
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Music Commentary: New Orleans Jazz and Heritage Fest versus French Quarter Fest