Jason M. Rubin
Now that the pandemic dust has settled, Dalia Davis’s album warrants excavating and shining a long-awaited spotlight on.
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Josie Lowder debut solo album “Here To Love” is more than a reminder of how good she was — it stands as incontrovertible evidence that she has grown as an artist and especially as a songwriter.
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The album lightly reiterates John Powhida’s prog influences while offering a snappy set of short, earworm-inducing pop songs.
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“There needs to be a bigger sense of community in the music world. Artists and labels and venues need to help each other out. There’s a void out there and I think Rock Garden Records is a positive new development.”
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The album suggests an earlier time, but most of the music is modern, relevant, and timeless.
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If you’re brave enough to dip your toes into a musical unknown, there are pleasures a-plenty to be had in this recording, in which Joe Jackson takes us on what purports to be a musicological excavation of the works of a long-forgotten figure of the English Music Hall era.
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In any form, any format, anytime and any place, the presence of Russ Gershon is an imprimatur of exciting, eclectic, and innovative music.
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“Time Flies” offers approximately two hours of outstanding jazz, created by true masters with no other agenda than to play their asses off with the tape rolling.
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Like Thin Lizzy, Minx marries metallic thunder with melodic structures and lyrics worth listening to.
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Arts Remembrance: Appreciating Robbie Robertson
Robbie Robertson was born and raised in Canada but he seemed to understand the American myth better than most of his southern neighbors did.
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