Jason M. Rubin
This year’s festival, themed “Jazz: The Voice of the People,” will explore jazz music in all of its global colors.
Guitarist Jon Fine’s memoir is an intriguing blend of history, sociology, entertainment, and a healthy dose of after-hours pulp.
For the better part of two hours at Lynn Auditorium, this version of Deep Purple rocked a sold-out crowd chiefly made up of 50-somethings.
A handy-dandy guide to seven newish summer arts festivals in the Boston area. They are all free of charge.
This was probably the loudest, rockingest Brian Wilson show I’ve ever seen.
Despite the neglect from the local media, the Boston blues scene is strong.
No Pier Pressure is Brian Wilson’s 11th solo album and it shows little diminution of his still-prodigious talents.
Esperanza Spalding is not simply beyond reproach – she is a young lioness the likes of which the jazz world has really never seen before.
Given the diverse musical tastes of label head Bob Lord, it should be no surprise that the second annual PARMA Music Festival will be a thoroughly eclectic affair.
Classical Music Feature: Fifty Years Later, Jacqueline du Pré’s Elgar Remains the Gold Standard
There is something undeniably affecting about Elgar’s composition and cellist Jacqueline du Pré realizes it all with an unbridled depth of feeling.
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