Arts Fuse Editor
With this production, Penobscot Producing Artistic Director Bari Newport has raised the artistic bar for Bangor’s premiere theater company.
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We’re not in European art film territory here.
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Jazz singer Mark Murphy was just too much for most audiences during that period; too intense, too varied, too unpredictable.
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We were reminded of how difficult it is to create an evening-length’s choreography without a storyline, musical structure, or a well-developed concept
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Kelley Donovan believes every dancer should own her movement, not just perform it.
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Just about every aspect of Loveless is executed perfectly.
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Skeleton Crew offers a redemptive look at a national tragedy — the financial crisis of 2008.
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Mostly, indie horror seems constrained, not by lack of funds, but by lackluster creativity and a sort of sloppy artlessness.
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This Hopkins Center production will be the US premiere of Dada Masilo’s much-anticipated reimagined version of Giselle.
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WATCH CLOSELY: “The Exorcist” — The Devil and the Deep State
TV’s The Exorcist reinvents its source material for an occult-savvy (not to mention cinema-savvy) audience.
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