Arts Fuse Editor

Film Review: “Bombshell: The Hedy Lamarr Story” — Bold, Brainy, and Beautiful

March 8, 2018
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The documentary Bombshell illuminates Heddy Lamar’s enigmatic legacy with gentle scrutiny and justifiable awe.

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Jazz Review: Accent — “In This Together”

March 7, 2018
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The music on Accent’s album is lovely and the singers render the arrangements with skill and commitment.

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Book Review: László Krasznahorkai’s “The World Goes On” — Migrations of the Spirit

March 6, 2018
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It is proof of the translators’ skill that Krasznahorkai’s sentences work as well as they do.

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Jazz CD Review: Sara Serpa’s “Close Up” — Rewarding Ambiguity

March 5, 2018
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Singer Sara Serpa refracts, bends, suspends, and shifts sounds and syllables, creating a kind of linguistic limbo.

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Visual Arts Interview: A Conversation with deCordova’s Sarah Montross

March 4, 2018
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In this exhibition, I wanted to focus on the screen as a threshold between realms and to ask questions around its materiality, its power. 

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Visual Arts Review: “Art in the Age of the Internet, 1989 to Today”

March 3, 2018
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Yes, digital technology can add real value to museum art exhibitions.

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Theater Review: “Ripe Frenzy” — American Guns

March 3, 2018
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Playwright Jennifer Barclay has created the perfect vehicle for generating a discussion about safety in our communities.

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Music Feature: Paul Rishell and Annie Raines — In the Spirit of the Masters

March 1, 2018
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There’s not much about the blues that Paul Rishell, 68, and Annie Raines, 48, don’t know or can’t play.

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Jazz Review: Harvey Diamond Quintet at the New School of Music

February 27, 2018
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There was an easy depth to the music, if such is possible, as if the musicians were digging in hard, but with the relaxed assurance that comes of a shared vision.

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Film Review: “A Fantastic Woman” — The Struggle to Be

February 25, 2018
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Lelio’s latest film explores the plight of a woman whose intrinsic nature and self-worth are rejected by a world that doesn’t value her.

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