Arts Fuse Editor

Film Review: “Unsane” — Stalking 2.0

April 1, 2018
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Despite some storytelling flaws, Unsane is ultimately suspenseful, terrifying, and rather haunting.

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Visual Art Review: Public Art at Boston’s Fenway Neighborhood’s Pierce Boston Tower

March 31, 2018
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A lost opportunity for the developers, arquitectonica, and artist Alexandre da Cunha.

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Performance Art Review: A Powerful “Stain” on the Boston Common

March 29, 2018
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Those who stopped at the top of the Boston Common, at about 1 p.m., witnessed an extraordinary work of performance art.

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Theater Review: “Little Orphan Danny” — Sweet and Raunchy

March 28, 2018
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Little Orphan Danny is an engaging and satisfying musical, a fun journey through the life of an affable troublemaker.

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Jazz CD Review: “Scandal” — Masters of Their Art

March 27, 2018
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Scandal is a masterful example of musical discourse dedicated to making the most of the powers and pleasures of tradition-infused improvised jazz.

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Film Review: “Leaning into the Wind” — The Giving Tree

March 26, 2018
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Watching this film, one is struck at how it is essentially a collection of moments that, taken together, create a satisfying portrait of a life.

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Coming Attractions: April 1 through 10 — What Will Light Your Fire

March 25, 2018
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Arts Fuse critics select the best in film, dance, visual arts, theater, music, and author events for the coming weeks.

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Jazz CD Review: The Kathrin Pechlof Trio

March 24, 2018
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Toward the Unknown is a well-wrought, well-rendered recording — one worthy of serious attention.

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Book Review: Susan Sontag’s Collected Stories — From the Back Burner

March 24, 2018
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Susan Sontag wrote short stories as a hobby; she saved more of her enormous intellectual energy for her novels and essays.

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Theater Review: “Ugly Lies the Bone” — Illusions of Support

March 23, 2018
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With this production, Penobscot Producing Artistic Director Bari Newport has raised the artistic bar for Bangor’s premiere theater company.

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