Arts Fuse Editor
“The Invisible Enemy Should Not Exist” is a rare transformative piece of public art.
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Gibney’s volume offers a wide range of readers with an introduction to the complexities of Irish history, including questions of what exactly constitutes the national history itself.
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Hub Theatre Company’s True West is a joy to watch.
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It’s not a bad time to be performing back-to-the-boogie heavy metal music anywhere in the world.
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In You Were Never Really Here, Lynne Ramsay’s themes of alienation, violence, guilt and redemption are once again present, albeit in a more frenetic form than before.
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Iranian director Abbas Kiarostami’s last film is made up of a series of sometimes resplendent, sometimes disappointing, images.
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The Rosenbergs is small in scope but large in ambition; it is an accomplished and moving opera that demands attention.
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Singer Fred Farell brings an introspective sensibility to this album and has gathered a group of songs that are appropriate for his introverted and quietly aspirational lyrics.
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Where will you find the best in new documentaries? In the brave new world of digital streaming.
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Jazz Commentary: Survival of a Scene in Boston
Local music venues — especially those with “off” music like jazz — are caught in a vice, with real estate escalation on one side and corporate-dominated digital technology on the other.
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