Arts Fuse Editor
For me, the experience of watching Roseanne is annoying and unpleasant.
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The Boston Symphony Chamber Players gave a very satisfying performance of eclectic musical material.
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As part of its 150th anniversary celebration, NEC commissioned Anthony Coleman to compose a large-scale work he has named Streams.
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Nausheen Eusuf’s deep affection for language and sound is omnipresent.
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A wide-ranging slate of documentary features on display in this year’s Independent Film Festival Boston. Here’s a sampling of a few of the standout films coming up.
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What starts off as a rollicking entertainment ends with a flourish of profundity.
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Wild Wild Country details the insane clusterfuck that results when faith, fundamentalism, and media hype intersect.
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This is an important and timely book, one that happens to be compulsively readable and that anyone even mildly interested in the intersection between religion and politics, faith and science, or religious commandment and secular law should read.
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Somerville’s Union Square hosts four chocolate companies, in renovated warehouses.
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Sutra was a curious mix of reverence and virtuosity, lavish movement and intricate music — over an hour’s worth of changing forms. I found it intriguing and untrackable.
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Jazz Perspective: Zev Feldman – A Sherlock of a Producer with an Impressive Portfolio