Arts Fuse Editor
Yes, the first-ever recording of a opera that is as wonderful as Berlioz and Wagner said it is.
“I like implication very much; there’s a fiction of implication that I think I’ve championed over the fiction of explication.”
British historian Adam Zamoyski has drawn a portrait of Napoleon that is neither flattering nor diminishing.
Kamasi Washington’s music connected viscerally with a Royale audience that was packed with young people — or at least way younger than those normally seen at a jazz concert.
Hype Man is a complex and challenging treatment of race relations in the U.S.– indispensable viewing in these days of Trump.
In this album, saxophonist Ethan Helm has achieved a very personal balance between highly composed sections and solos rooted in harmony and free playing.
Journalist Ian Nathan presents Peter Jackson’s trials in bringing Tolkien’s books to film as if he was writing a spy thriller.
This is a sublime little film — an elegantly cross-stitched portrait of an all-American family fracturing under the weight of broken dreams and false promises.
Hub Theatre Company’s production bursts with energy, staged with a clear-minded sense of movement and a hand-made quality that generates ample charm and whimsy.
Mother Butterfly’s script shows genuine promise, but the Storm Warnings Repertory Theatre’s premiere production falls short.
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