Arts Fuse Editor
“I’m happy with where I am in my career. I know what I want to do and can do it. I just enjoy it.”
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La Sylphide is full of magic. It might be about magic.
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Despite my complaints, Allegiance is affecting – almost frustratingly so.
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Roberta Silman’s engaging and deeply felt novel is a reminder of what it means to carry a historical burden on both a personal and national level.
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Singer Allan Harris clearly loves Eddie Jefferson’s music and performs it with sincerity and chops.
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Director Ellie Heyman and her talented cast have their hands full with this new work because it is, in some ways, a tale of two musicals.
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Writer-director Michael Pearce’s debut feature is self-assured and finely-wrought.
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Do these “four late nineteenth-century visionaries” still speak to us?
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Going beyond the reasonable concept, there was the New York Theatre Ballet’s performance.
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Visual Arts Commentary: Paying Attention to Boston’s Jewish Expressionists
Until recently, the Museum of Fine Arts has ignored Boston’s artists of Jewish heritage.
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