Arts Fuse Editor
The War Is Never Over is a compelling way to appreciate the importance of a music icon, to understand why Lydia Lunch’s work matters.
Regardless of what the future holds, Derek Trucks said that he and his bandmates are grateful for every opportunity to get back in front of live audiences.
Mare of Easttown is particularly effective in interweaving troubled domestic timelines, families held together by women who are on the brink of psychic or emotional collapse.
Each month, our arts critics — music, book, theater, dance, and visual arts — fire off a few brief reviews.
Schmigadoon! is both an enjoyable love letter to classic Broadway musicals and a good-natured spoof of their now antique conventions.
Disco! feels like the culmination of what will be seen as an early stage in MIKE’s career –– stylistic mastery achieved, a mountain summit reached.
Body and Soul generates a whirligig of passions — joy, frustration, pleasure, and rage.
“Figures of Speech” is a kind of aesthetic/political injection: its messages are put across by pieces that seamlessly blend a number of genres, including sculpture, music, graphics, and film.
I consider composer Frederick Rzewski the most profound and persistent explorer of how to address injustice through the use of sophisticated compositional tools.
The Tribeca Film Festival wrapped last week — here’s a selection of the most promising documentaries on view.
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