Bill Marx
We are invited to see the world through the eyes of an adolescent whose autism makes human communication and contact incredibly difficult.
An invigorating staging of Henrik Ibsen’s still pertinent play about spinelessness up and down the political spectrum.
Selina Fllinger’s play manages to serve up some vivid confrontations between believers and doubters.
Off the Grid’s The Weird is content to cast a low wattage spell.
Burn all Night is a pretty damp squib coming from one of the country’s major regional theaters.
American Moor is a terrific meditation on Othello and race.
Wonder why Boston theater is so bland, why there is so little political resistance?
This is an evening that, through an excess of imagination, makes as little sense as possible.
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Theater Commentary: Trump, Julius Caesar, and Political Farce
If the ballyhoo around the Public Theater’s Julius Caesar is a sign of the times, then we have a lot more than Trump to fear.
Read More about Theater Commentary: Trump, Julius Caesar, and Political Farce