Bill Marx
To my surprise, the auto union was written out of the picture from the start, as if dramatist Dominique Morisseau saw it as an embarrassment.
Steve is a satisfyingly genial comedy that brings up, but then darts quickly away from, serious issues.
The White Card‘s examination of white philanthropy and racism stays well within the comfort zone.
Shange’s nervy mix of wordplay and in-your-face didacticism — of resilience in the face of hardship — is very much the empowering thing.
A nifty new design for the magazine is on its way …. bear with us.
The publication, its editor, and its over 60 writers believe that the health of arts criticism and the arts community are inextricably intertwined.
Ada/Ava is an impressive theatrical feat that finds a new, and invigorating, way of telling a story on stage.
Some of our critics talk about the books that meant the most to them over the past year.
Critical Condition: Why Be Negative? Don’t Ask “The New York Times”
If the New York Times can’t make a reasonable case for the need for discrimination rather than salesmanship, we are in real trouble.
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