Bill Marx
Ada/Ava is an impressive theatrical feat that finds a new, and invigorating, way of telling a story on stage.
Some of our critics talk about the books that meant the most to them over the past year.
I ask you to consider contributing to The Arts Fuse so that we can continue to be an indispensible part of the Boston arts landscape.
These articles dramatize, sadly, who was listened to and who wasn’t when sexual allegations were made against playwright Israel Horovitz in the early ’90s.
Hold These Truths is an invaluable reminder that alternative facts are not a new thing.
More alarming signs that the Boston Globe‘s arts section is shedding talent.
Critics were once seen as the ‘canaries in the mineshaft’ — now newspapers and magazines are closing down the mines.
Sleeping Weazel stages a gutsy production of an angry, ugly, and essential history lesson.
Let us hope that today’s revelations will be taken more seriously than charges of sexual harassment and assault were back in 1993.
Theater Commentary: Horovitz and Sexual Harassment — Why Did it Take Over 20 Years?
Does anyone really believe that there is no sexual harassment going on in Boston area theater companies today?
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