Bill Marx
Praxis Stage manages to get Arthur Miller’s message across, and it is a valuable one that must be repeated well beyond the inauguration.
This is a thoroughly pedestrian production — wobbly, uninspired, and often downright tedious.
Bill Rauch and company keep the superficial contrivances hurtling along at a fast enough pace so we aren’t given much time to think.
I ask you to consider contributing to The Arts Fuse so that we can continue to be an indispensible part of the Boston arts landscape.
Maybe finally we’re reaching the Natsume Sōseki moment in the English-speaking world.
There will be a public celebration of Margaret Weigel’s life on December 9 at Medford’s Chevalier Theater.
There’s nothing here to challenge the status quo, just an amiable ‘sex’ comedy about characters who aren’t getting any.
Many of today’s arts editors and reviewers embrace a lilliputian vision of arts criticism; they accept a crabbed sense of its possibilities.
“I have always been a fan of horror movies, and I’m sure that was part of the attraction to me.”
Arts Review/Commentary: Climate Change and Artistic Derangement
Why haven’t American theater companies dealt seriously with climate change?
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