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Seeing Exhibition is like spying through a window on our most glamorous neighbors moving about their flat: it’s kind of kinky, kind of fun.
Because of the national tension between the Tutsis and the Hutus, and its effects on everyday routines in the school, this novel cannot long remain a bemusing tale of adolescent life.
Imagine Yourself in a Free and Natural World finds B L A C K I E reaching an ambitious artistic high, delivering potent pieces of jazzy discord that impressively conflate the barbaric and the beautiful.
Director Eric C. Engel and the Gloucester Stage Company cast gives Fences an insightful and nuanced production.
Despite a few clichéd moments, Land Ho! is the satisfying product of the natural grace that Aaron Katz and Martha Stephens have developed as filmmakers.
Arts Fuse critics select the best in music, film, theater, author readings, and dance that’s coming up in the next week.
It was good to see Martha Davis and The Motels with a full house at Johnny D’s, especially since the group clearly has life in them.
Despite commentary to the contrary, Jonathan Blumhofer thinks that in the negotiations between the Met management and the unions there was a winner and a loser.
There are some fine moments in Re:Group Theatre’s production of the epic A Texas Trilogy, but there are also many limitations.
Opera Commentary: The Mess at the Met — … curtain!
On the surface, this is a deal that lets both sides go forward having saved face, though a closer look at things suggests that the musicians came out ahead.
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