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Ed Meek’s ability to harness language and cadence is comparable to watching a cowboy harness a wild mustang.
A pair of eminent lives — celebrated.
Concentrating on the strategies that enabled casualwear to grow worldwide, the book ignores the broader historical and political conditions that encouraged that success in the first place.
This is pure cinema, unpretentious, rough-hewn, mystical, conjured from the earth, offered up at the forest altar of whatever flesh-and-blood gods are still listening.
Three light-hearted books about family life reveal deeper meanings.
The proceedings are continually involving, each of the performers supplying sufficient dramatic weight and interacting as a credible ensemble of characters rather than caricatures.
Over four days of listening (and walking), we found that the 13th Big Ears reaffirmed its reputation for daring curation—fostering a community of eager listeners always ready to discover something new.
This year’s Berlin International Film Festival was nothing if not political.
AIDS made us strangers in our own lives. It took our world and made it foreign, putting us in the same socio-cultural no-man’s-land where “Alpha”‘s immigrant family is struggling.
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