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Full Dissidence is not just about the corruption of professional sports. It is a fierce polemic that will alter the way you look at America.
What we need is to see the world through the eyes of Black activists, even though that might be frightening to White audiences reluctant to deal with the unmediated truth.
Croatia’s best-known Opera is like The Bartered Bride or a lighter-spirited Porgy and Bess: tuneful, engaging, and stageworthy.
Nashville songwriter Aimee Mayo’s memoir offers an eye-opening perspective on the problematic treatment of women in the country music industry.
This surprisingly seamless record belies its logistical shuffles and players’ cultural differences with a relaxed sonic identity.
A B-movie inspired horror-comedy, Psycho Goreman is a delightfully schlocky homage to entry-level, kid-centric horror films but with the sort of grotesque violence one would expect from a more adult-oriented movie.
Censor explores thought-provoking questions about the strange relationships between films, society, fantasy, and reality — and individual identity — in an increasingly mediated and violent world.
On Welfare Jazz, Viagra Boys succeed through their skillful manipulation of pure bombast, spurred on by haywire grooves as well as plenty of oversized personality.
An intriguing look at smashing the patriarchy through the art of pole dancing.
Even though they are a cover band, Foxes and Fossils’ performances are fresh and delightful. While faithful to the originals, they are not slavish imitations.
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