Rock
Sleater-Kinney’s Carrie Brownstein gave Charlie Watts a shout-out, while Wilco’s Glenn Kotche displayed the words “Charlie is my Darling” (the title of a 1966 Stones tour documentary) on the head of his bass drum.
“Once we have the chemistry in the room, it’ll come back,” says the Zulus’ guitarist Rich Gilbert.
Arts Fuse writers continue their countdown of great music celebrating its 50th anniversary this year. This month’s especially eclectic list includes The Allman Brothers Band, Roy Brown, Black Sabbath, Johann Sebastian Bach, and the Art Ensemble of Chicago.
Roadrunner: New Light, New Machine is Brockhampton’s tightest album to date.
Arts Fuse writers continue their countdown of great music celebrating its 50th anniversary this year, and this month’s list includes Little Feat, Jonathan Edwards, Hot Tuna, The Red Detachment of Women, and Jimmy Witherspoon & Eric Burdon.
Regardless of what the future holds, Derek Trucks said that he and his bandmates are grateful for every opportunity to get back in front of live audiences.
Each month, our arts critics — music, book, theater, dance, and visual arts — fire off a few brief reviews.
This version of the band is less gritty and angry then back in the ’90s, but it is still identifiably anarchistic.
The group’s exuberance makes it easy to like, an enthusiasm that is compounded by the quality of its live shows and its recordings.
Music Remembrance: Charlie Watts (1941-2021)
Watts’ relentlessly unembellished drive on dozens of classic songs, from “Satisfaction” and “Shattered” to “Connection,” is what makes them so danceable.
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