Music
By any measure, this is an impressive orchestra, as technically accomplished as any number of professional ensembles, domestic and international.
Read MoreAs a soloist, Fred Hersch is a wonder: he plays with an active, to the point of restless, two-handed style that sweeps a listener along with its lyrical fervor.
Read More“This is JETHRO TULL!, expressed proudly in bold terms. And then ‘the rock opera,’ said in an embarrassed whisper.”
Read MoreWith the galvanic addition of Joshua Redman, The Bad Plus is now made up of four intense virtuosos.
Read MoreIf Real Life Rock‘s page count seems daunting, fear not. There isn’t an entry you’ll want to skip.
Read MoreSoprano Elizabeth Watts’ voice is as clear as crystal in every musical context and texture.
Read MoreBlues feeling remains as unpredictable as ever. Who would have guessed that its strongest incarnation this year so far would be Ironing Board Sam’s Super Spirit?
Read MoreJames MacMillan is one of the few contemporary composers who has embraced elements of the avant-garde and still found a wide audience.
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Rethinking the Repertoire #5: Leonard Bernstein’s “Songfest”
Bernstein’s Songfest is Exhibit A in the argument that American orchestras and conductors need to champion the music of these shores.
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