Music
Nothing to recommend in Daniel Lozakovich’s take on the Beethoven Violin Concerto, but Midori’s performance of the piece is completely unpretentious, natural, and exciting. Gidon Kremer & friends serve up a terrifically flexible version of Carl Reinecke’s adaptation of Beethoven’s Triple Concerto.
Those looking to understand why Dolly Parton is such an icon, or searching for a thoughtful and witty alternative to Hillbilly Elegy, would do well to read this book.
A delightful and compact opera — from a generation before Mozart — that cuts various social types down to size.
“I think these shots bring out the fierceness of black metal, and the models are saying, ‘We can be this.’”
Composer Anna Clyne’s new disc displays her maturity as a composer and brilliance as an orchestrator; pianist Simone Dinnerstein builds a number of bridges between Philip Glass and Franz Schubert; pianist Hélène Grimaud’s interesting program is marred by some uneven Mozart.
Sittin’ in raises fascinating issues and its wealth of ephemera provides an amusing context in which to ponder deeper questions.
Terrific performances, blazing with color, character, and wonderful technique from Neeme Järvi and the Royal Scottish National Orchestra; John Williams and the Vienna Philharmonic Orchestra offer considerable pleasure with some misteps; another triumphant release from Gil Rose and the BMOP.
Book Review: “Nobody Ever Asked Me About the Girls” — A Disappointing Look at Women, Music, and Fame
Journalist Lisa Robinson deconstructed the idea of the girl who could hang with the guys (and laugh off their casual misogyny) long before Gillian Flynn immortalized the Cool Girl in Gone Girl.

Recent Comments