Music
A captivating and thought-provoking version of Missa solemnis from René Jacobs and his forces; the Michael Gielen Edition is one of this Beethoven anniversary-year’s highlights.
Calidore String Quartet’s Babel is one of the year’s best albums; Sarah Kirkland Snider’s Mass for the Endangered offers an unsettling and beautifully direct rethinking of the traditional Roman liturgy; for John Luther Adams fans – and the Adams-curious – Become Trilogy is a must.
With concerts all but wiped off the calendar by the pandemic, our critics naturally spent their time with recordings (and virtual live shows).
The magazine’s jazz critics look back over the past year and highlight their favorites — performances, recordings, and books.
Daniil Trifonov’s Silver Age pays bracing tribute to fin-de-siecle and post-Revolutionary Russian music; Jonathan Leshnoff’s Third Symphony is smartly-written and affecting. What happens when tenors Lawrence Brownlee and Michael Spyres team up for an album of duets and ensembles from various Rossini operas? Fireworks.
When Charley Pride did display anger, it concerned how the country music establishment treated older artists.
Violinist James Ehnes and pianist Andrew Armstrong’s Beethoven violin sonatas feel and sound absolutely right; Quatuor Ébène’s comes up with one of this anniversary year’s few, true benchmark releases; Nikolai Lugansky’s traversal of three of Beethoven’s late piano sonatas is often admirable.
Trumpeter Doc Severinsen had the right combination of talent and showmanship to reach and stay in the spotlight, and he adjusted the pieces of his life to maintain his singular place.
Uri Caine’s score about the life and murder of a 19th-century civil rights icon is direct and potent; touching documentation of Richard Pittman’s advocacy for the inventive composer Bernard Hoffer and a demonstration of the sheer musical excellence of Boston Musica Viva; Igor Levit’s keyboard playing is dynamic, precisely articulated, vividly felt, and beautifully voiced.
This strange year became, for this opera lover, a chance to explore new—or even world-premiere—recordings of little-known repertory. When musical life returns to semi-normal, perhaps we can be treated to live performances of some of these amazing works.
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