Music

Book Review: “Jimi” — Hendrix’s Life in a Beautifully Designed Art Book

December 8, 2022
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Jimi’s sister and a Newton-based Hendrix scholar dig into the archives and come up with a coffee table book that celebrates the rock icon.

Classical Concert Review: Violinist Christian Tetzlaff — “Playing for Life and Death”

December 7, 2022
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Christian Tetzlaff’s recital was a breathtaking experience, full of dancelike grace, intelligence, and charm.

Classical Concert Review: Pianist Martin Helmchen  — Balancing Bach with Subtlety and Flair

December 7, 2022
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In his Celebrity Series debut, pianist Martin Helmchen performed a mostly vivid and colorful evening of Bach.

Classical Album Review: Rued Langgaard’s Symphony No. 1

December 6, 2022
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For balance and virtuosity, the Berlin Philharmonic Orchestra plays Rued Langgaard’s “Klippepastoraler” for all it’s worth. That just doesn’t end up being very much.

Classical Album review: Clarinetist Anthony McGill’s “American Stories”

December 5, 2022
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These stories occupy their own, distinctive spaces but they share something intangible. A kind of humanity, maybe? Perhaps.

Concert Review: The Tedeschi Trucks Band at the Orpheum Theater — Beginning a New Phase

December 4, 2022
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This is a band as capable of being as spry and unpredictable in its 12th year as it was in its first.

Concert Preview/Interview: Suzanne Vega

December 4, 2022
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Suzanne Vega is many things: a singer/songwriter, musician, poet, author, entrepreneur, playwright, and actress. A number of her personas are converging right now.

Jazz/Film Review: “An Evening of Jazz Healing” — A Thing of Beauty and Sharing

December 3, 2022
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Jazz, in particular, seemed to not merely satisfy Justin Freed’s inner cravings for beauty, but it led him outwards, to others, eventually inspiring some of the key relationships in his life.

Chiptune Album Review: YMCK’s “Family Innovation” — 8bit Cynicism Toward Web 3.0

December 3, 2022
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In its ninth album, YMCK shows that it is becoming self-aware. They are no longer just avatars we are to identify with, but also (satirically) the corporate entity behind them, a corporation preoccupied, like all others, with innovation.

Classical Concert Review: Pianist Víkingur Ólafsson — A Fresh Look at Late Mozart

November 30, 2022
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Víkingur Ólafsson’s bold keyboard presence gave us a composer pressing against the conventions of his time while absorbing everything his ears took in.

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