Featured
What a treat to see choreographers of different generations concentrating on ballet itself and asking the audience to appreciate what ballet can do.
Dramatist Rajiv Joseph probes the gentle sides of masculinity as well as the intertwined power of beauty and terror.
Max Bruch’s music is smart, strong, crafty, and, often, quite endearing.
There are no angels in Mark Rothko’s work: only the ascendancy of glorious color.
Bob Brookmeyer’s great contribution was to make it seem as though anything is possible — and permissible –in the big band context.
On the occasions that Bob Weir and Phil Lesh performed as a legitimate duo the concert attained some of its more transcendent peaks.
The documentary Bombshell illuminates Heddy Lamar’s enigmatic legacy with gentle scrutiny and justifiable awe.
From a compositional standpoint, too, Chamber Dance is an example of Tower at her engaging best.
The White Card‘s examination of white philanthropy and racism stays well within the comfort zone.
The music on Accent’s album is lovely and the singers render the arrangements with skill and commitment.
Arts Commentary: The Last Laugh — Stephen Colbert, Comedy, and Cultural Resistance