Featured
It is, clearly, a crafty Beethoven remix and the ways John Adams assimilates the older composer’s language into his latest style are fascinating.
This performance was far more than special and crazily beautiful — it was extraordinary.
Indo-Pak Coalition’s energized music and performance somehow manages to square the circle — it is as engaging as it is songful and intelligent.
Skeleton Crew offers a redemptive look at a national tragedy — the financial crisis of 2008.
Mostly, indie horror seems constrained, not by lack of funds, but by lackluster creativity and a sort of sloppy artlessness.
This Hopkins Center production will be the US premiere of Dada Masilo’s much-anticipated reimagined version of Giselle.
This symphony is the finest synthesis of Leonard Bernstein’s considerable theatrical instincts within a concert framework, idiosyncratic and singular.
In The Humans, Stephen Karam suggests that America can be a heaven that, in a moment, might flip into hell.
Rethinking the Repertoire #20 – Vasily Kalinnikov’s Symphony no. 1
Kalinnikov’s First Symphony is one of those neglected works well worth beating a drum for.
Read More about Rethinking the Repertoire #20 – Vasily Kalinnikov’s Symphony no. 1