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In Groton, the veteran ensemble leans into mood and understatement as its final touring year begins.
Our expert critics supply a guide to film, visual art, theater, author readings, television, and music. More offerings will be added as they come in.
“Echoes” honors jazz tradition while slipping gracefully into a modern, oblique swing.
From Anne Packard’s irresistible presence to a polarizing slasher homage and a breakout no-budget film, this year’s roundup offered plenty of satisfactions and some surprises.
“Strange Journey” traces the origins of one of cinema’s most unlikely cults. “Time Warp” shows why it still matters.
In “1968,” historian Alexander Bloom challenges the clichés of counterculture and reflects on a year of global rupture.
A polished, detail-rich account of two lyrical concertos, distinguished more by clarity and refinement than by risk or fire.
Despite striking choreography and a tour-de-force lead, the A.R.T.’s adaptation of Black Swan can’t escape the film’s excesses—or its own thin score.
At this year’s festival, films by Greg Araki and others explore erotic power, artistic identity, and spiritual unease—alongside a quietly inspiring portrait of painter Anne Packard.
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