Posts
Our classical music critics supply their favorites, albums and concerts, from over the past year
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Jesus Lizard remains one of rock’s most fearsome combos, and this night the veteran band delivered one of 2024’s most memorable shows.
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I encourage anybody interested in the current state of opera to get to know Michael Dellaira’s “The Leopard”.
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Violinist Kristin Lee revels in ragtime; pianist Jihye Chang commissioned a series of keyboard etudes from eight Boston-based composers.
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Conductor Robert Treviño celebrates what we might call the dawning of the North American vernacular school; composer Ethan Iverson displays a fascination with instrumental color.
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“Queer” breaks new artistic ground for an artist whose visionary talent is already well-established.
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It may be shot in B&W, but “Day of the Fight” is not a retread of “Raging Bull” — though Joe Pesci is present.
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Children will delight in two books that celebrate creativity and imagination, and one that shows a new way of seeing the world through maps.
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This week’s poem: Ted Pearson’s Selections from “String Theory”
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Ya gotta understand — corporate assholes are like Sauron’s boss, Morgoth. They are incapable of creation. They can only appropriate and warp, like how Morgoth appropriated and warped Elves to create Orcs.
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