Arts Fuse Editor
Straight White Men features plenty of conflict, but most of this wrangling comes in the form of tiresome, repetitive familial bickering.
Now, we’re told, Trajal Harrell has been researching Butoh dance and hoochy coochy dance, hooking them up with the precursors of modern dance and slathering on generous amounts of gender theory.
Despite its occasional confusions, this is poetry I will return to — to re-experience A.E. Stallings’ wit, wisdom, and word-smithing.
The Window contains an inspired pairing — between singer Cécile McLorin Salvant and pianist-organist Sullivan Fortner.
K.K. Downing does not trash Judas Priest or its legacy, but he gives, from his perspective, an honest and believable assessment of the group and his role in it.
The show’s attempt at satire comes off as blunt and lecture-heavy at times, but the production still manages to be an engaging comedy of manners.
In every meaningful way, The The’s return to the States, the band’s first tour in 16 years, was generous.
“The work is now stronger having successfully balanced both the needs of the visual choreography and the sound.”
Conceptual and abstract as David Byrne can often be, he’s one art schooler who isn’t afraid to get down.
Visual Arts Commentary: Three Temporary Public Art Pieces — A Dialogue with Art and Ourselves
Three bold new public art installations underscore the possibilities of visual and conceptual experiences in 21st century Boston.
Read More about Visual Arts Commentary: Three Temporary Public Art Pieces — A Dialogue with Art and Ourselves