Arts Fuse Editor
Arts Fuse writers continue their countdown of great music celebrating its 50th anniversary this year. This month’s especially eclectic list includes The Allman Brothers Band, Roy Brown, Black Sabbath, Johann Sebastian Bach, and the Art Ensemble of Chicago.
Theresa Rebeck’s foodie comedy Seared is more of an amiable appetizer than a substantial entree.
In Maria Baranda’s poetry there is the constant oscillation between beauty and ugliness, elegance and terror, the empowering journey and the overwhelming nightmare.
I don’t recall encountering a recent Baroque recording that is sung with such a fine balance of smoothness and character.
Sir George Martin’s AIR Studios in Montserrat gave birth to some great ’80s music, then succumbed to the elements.
A documentary about a “crazy genius,” theater owner and film distributor Donald Rugoff, a difficult but insatiable P.T. Barnum-like impresario whose storied rise and tragic fall in the movie business has been overlooked.
Each month, our arts critics — music, book, theater, dance, and visual arts — fire off a few brief reviews.
Dull, flat, and boring, with no discernible personality, the Olympics 2020 graphics made no impact on anyone other than, perhaps, its creator/developers and maybe a (very) few members of the host committee.
Ermanno Wolf-Ferrari’s delightful 1906 comic opera, via the first recording of the version heard at the work’s premiere.
Filmmaker David Lowery plumbs the depths of this ancient tale, discovering the places where the human and the otherworldly intersect, where the earthbound meets the ethereal.
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