This is a very effective political drama, a relevant warning about what social critic Chris Hedges calls the formation of “corporate totalitarianism.”
Amir Nizar Zuabi’s engaging drama is a hopeful testament to communication and forgiveness.
Our theater critics pick some of the outstanding productions of a year truncated by COVID-19.
A 50th anniversary is a wonderful milestone, and I congratulate the Revels for looking back and huzzahing the occasion as they have.
Underground Railway Theater has a runaway hit. You’ll never see a show quite like it. It’s bold, ridiculous, and very risky.
The New Rep production of Hair is acceptable: if the intent was to look back at a now-dated musical that once caused a stir.
The Effect is about the brain, pharmaceuticals, and how little we know about each.
Our theater critics pick some of the outstanding productions of the year.
Queen Mab’s premiere production is an energetic, 80-minute, one-man performance of Shakespeare’s A Midsummer Night’s Dream.
The spirit of Oliver! explodes on stage here, and that is a credit to the ambitions of this company.