Underground Railway Theater has a runaway hit. You’ll never see a show quite like it. It’s bold, ridiculous, and very risky.
The New Rep production of Hair is acceptable: if the intent was to look back at a now-dated musical that once caused a stir.
The Effect is about the brain, pharmaceuticals, and how little we know about each.
Our theater critics pick some of the outstanding productions of the year.
Queen Mab’s premiere production is an energetic, 80-minute, one-man performance of Shakespeare’s A Midsummer Night’s Dream.
The spirit of Oliver! explodes on stage here, and that is a credit to the ambitions of this company.
The audience members were as diverse as the cast, the show is not being staged in a traditional space in Boston, and the play is incredibly relevant.
With The Purists, Dan McCabe has written a comic drama that not only has a lot to say, but does it with an enormous amount of playful vim and vigor.
In a taut 90 minutes, The Lifespan of a Fact zeroes in on some key issues that we’re grappling with as a country — or ought to be.
Over thirty years after it premiered, the script remains touching and funny, with the added merit that it provides a refreshing respite from the sour discourse of 2019.