David Greenham

Theater Review: “The Race” — Business as Unusual

January 19, 2021
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This is a very effective political drama, a relevant warning about what social critic Chris Hedges calls the formation of “corporate totalitarianism.”

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Theater Review: “This Is Who I Am” — Virtual Intimacy

January 1, 2021
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Amir Nizar Zuabi’s engaging drama is a hopeful testament to communication and forgiveness.

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Arts Feature: Best Stage Productions of 2020

December 27, 2020
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Our theater critics pick some of the outstanding productions of a year truncated by COVID-19.

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Theater Review: The Christmas Revels 2020 — A Delightfully Virtual Revelation

December 23, 2020
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A 50th anniversary is a wonderful milestone, and I congratulate the Revels for looking back and huzzahing the occasion as they have.

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Theater Review: “Vanity Fair: An (Im-)morality Play” — Amoral Fun Galore!

February 5, 2020
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Underground Railway Theater has a runaway hit. You’ll never see a show quite like it. It’s bold, ridiculous, and very risky.

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Theater Review: “Hair” — An Antique Trip

February 4, 2020
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The New Rep production of Hair is acceptable: if the intent was to look back at a now-dated musical that once caused a stir.

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Theater Review: “The Effect” — Beware the Nasty Side Effects

January 16, 2020
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The Effect is about the brain, pharmaceuticals, and how little we know about each.

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Theater Feature: Best Stage Productions of 2019

December 28, 2019
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Our theater critics pick some of the outstanding productions of the year.

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Theater Review: Queen Mab’s “Dream” — Good and Necessary

December 17, 2019
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Queen Mab’s premiere production is an energetic, 80-minute, one-man performance of Shakespeare’s A Midsummer Night’s Dream.

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Theater Review: New Rep’s “Oliver!” — Less Boundless Energy, Please

December 8, 2019
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The spirit of Oliver! explodes on stage here, and that is a credit to the ambitions of this company.

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