David Greenham
Unfortunately, it’s becoming increasingly rare for Boston area theater companies to produce shows that are as deeply rooted in our local culture as this one.
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Wild Horses is a sort of hybrid of familiar coming-of-age stories: Little Women meets Summer of ’42, with a dollop of Stand By Me tossed in for intrigue.
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As the play ends, all four characters have a clear understanding of their marching orders. But will they — or we — act on them?
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If the theater really mirrors life, then you can bet we’re in for some drastic changes and adjustments, even on Broadway.
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Truman & Tennessee is a meticulously researched and edited documentary about two gay men and their differing commitments to art.
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The heart and soul that so prominently flavors the Black Beans Project no doubt reflects the hopeful moment we’re in.
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The “Real” Emily Dickinson never materializes, but the “Real” Mabel Loomis Todd does — and it’s a sometimes shocking and sad story.
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You need to hear this play. Especially if you are white and already “know” Othello. Listen again (and again) and prepare to question old assumptions.
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The show is made all the more powerful by the fact that we’ve now spent 12 months enduring Covid and four years of science denial and “alternative facts.”
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Arts Feature: Favorite Stage Productions of 2021
Our theater critics pick some of the outstanding productions in a year mangled by COVID.
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