A Grimm, but not grim, opera about a Fisherman, his Wife, their Cat, and a wish-granting Flounder.
Boston Modern Orchestra Project
I’ve compiled a list of twelve concerts (or concert series) that I think will stand among the future season’s highlights.
John Corigliano’s take on goodbyes is, if not exactly bitter, then full of sorrow: few happy memories to be had here.
Above all, Joan Tower’s music doesn’t waste your time.
A line-up of concerts, performances, and recordings that, as 2017 draws to its close, I can’t, for one reason or many, shake from my memory.
It was a treat to experience Philip Glass’s orchestral music live and in-person.
BMOP releases a fitting, moving tribute to a giant of contemporary music; Johannes Moser turns in a sweeping performance of Elgar’s Cello Concerto.
“I have always been a fan of horror movies, and I’m sure that was part of the attraction to me.”
The BMOP’s opening concert featured the group succeeding at an important part of its mission: to perform unfairly overlooked American music.
In the six years I’ve now been reviewing for the Fuse, I can honestly say that the 2016-17 season looks to be one of the liveliest in recent memory.