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Arts Fuse critics select the best in dance, music, theater, and film that’s coming up for the next two weeks.
So we’ve got a mixed bag. If you get this Lang Lang disc, it should be for the Bartók, but not the Prokofiev: as things stand, the competition there simply blows Lang out of the water.
Art Spiegelman believes that “MAD” magazine was more subversive for his generation of protesters than either marijuana or LSD. It certainly radicalized him.
Two discs released by Harmonia Mundi benefit from the dramatic flair of conductor René Jacobs.
Daniel Arasse’s method has been defined by his students as “looking, [taking] pleasure and [being] imprudent.” Any and every detail of a work of art can serve as his starting point.
Last year, Arts Fuse Critic Jonathan Blumhofer was awarded a grant to support a concert of his music performed by the Worcester Chamber Music Society.
Violinist Joshua Bell and pianist Sam Haywood delivered a highly entertaining and substantive (if too short) Sunday afternoon recital.
At its best, “BE” is an adventurous album, which automatically makes it an improvement over Beady Eye’s 2011 debut.
Doris Lessing baffled categories and critics, except for those, like me, who were marked by her and knew her for the bold and extraordinary writer and creature that she was.
Hopefully, Death Grips can keep finding new ways to convey contemporary dissonance, because as it stands now they have produced four of the most important musical works of the 21st Century.
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