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Visual Arts Review: Witness and Wonder — Winslow Martin’s Armenia in Fragments of Daily Life

May 6, 2026
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At Project Save, thirty black-and-white photographs capture the tenderness, turmoil, and enduring spirit of the Armenian experience.

Film Review: “The Devil Wears Prada 2” — Cerulean Idealism, Crimson Satire

May 6, 2026
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David Frankel’s wildly popular fashion fairy tale returns  with a biting media critique and Meryl Streep’s cucumber-cool Miranda facing down tech billionaires.

Blues Album Review: Taj Mahal’s “Time” Finally Arrives — and Proves Worth the Wait

May 6, 2026
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A long-shelved session reveals a master blending blues with global grooves and undimmed vitality.

Book Review: “Elites and Democracy” — A Perceptive X-Ray of Power’s Circulation

May 5, 2026
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Why democracy cannot escape elites—and how they quietly reshape power from within.

Poetry Review: Karen Solie’s “Wellwater” — Poetry Callused, yet not Callous

May 5, 2026
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Stark prairie lyrics of survival, memory, and reluctant belonging.

Film Review: “Blue Heron” — Director Sophy Romvari Turns Childhood Trauma into Art

May 5, 2026
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A fractured childhood remembered through a lens of distance and grief

Arts Commentary: The Boston Symphony’s New Humanities Blueprint Makes Sense

May 4, 2026
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Why festival programming—and humanities partnerships—can help the BSO.

Film Review: “Erupcja” is Peak Entertainment

May 3, 2026
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A volcanic comedy of fate and missed connections.

Fest Film Reviews: IFFBoston Round-Up — Docs of Dissent and Art in Focus

May 2, 2026
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Reviews of a pair of documentaries and arts-themed shorts at the IFFBoston.

Classical Music Album Review: The Neave Trio’s “In Her Hands”

May 2, 2026
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The Neave Trio’s new album is as well recorded as it is programmed and played.

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