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Host Elizabeth Howard moderates a conversation about whether the arts can provoke, reflect, and sustain cultural dialogue in a period of disruption and transformation.
Pianist Jonathan Biss and the Brentano String Quartet animated Dvořák, Haydn, and Beethoven with emotional urgency and tonal finesse.
A record crowd for genre-blurring acts, with Geese and Wednesday signaling a shift in the festival’s identity.
A storm-snarled weekend in Swanzey, New Hampshire delivers breakout acts, deep improvisation, and a snapshot of the modern jam ecosystem.
Denise Kiernan’s accessible book restores the often overlooked figures who shaped America’s founding.
The power of Ukrainian director Sergei Loznitsa’s film stems from its deep repugnance at an acceptance of the aesthetic and moral poverty of dictatorship.
In Groton, the veteran ensemble leans into mood and understatement as its final touring year begins.
Our expert critics supply a guide to film, visual art, theater, author readings, television, and music. More offerings will be added as they come in.
“Echoes” honors jazz tradition while slipping gracefully into a modern, oblique swing.
From Anne Packard’s irresistible presence to a polarizing slasher homage and a breakout no-budget film, this year’s roundup offered plenty of satisfactions and some surprises.
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