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This week’s poem: Jim Dunn’s “The Day Before the Drowning Girl”
Neighbor is steeped in what could be considered rock ’n’ roll’s golden era — the ’70s. That is when bands could be — and were damn well expected to be— both technically dazzling and broadly appealing.
America Goes Modern does splendid justice to the genesis of a miraculous design phenomenon.
The Kossoy Sister’s last area performance was at the 2012 Newport Folk Festival. Now both living in Guatemala, the pair are back for a Saturday matinee appearance at Club Passim.
Both debut features by young women directors open with prayers.
Master Gardener is more Pinterest mood board than story.
I am happy to report that Styx 2023 is a powerhouse outfit, wielding the most exciting aspects of progressive rock with radio-friendly hooks, riffs, and rhythms that set it apart from many of its peers.
This is the first time Michael Grecco, who was a photojournalist for the Associated Press from 1978-83 and then a staff photographer for the Boston Herald — while regularly shooting shows at night for WBCN and Boston Rock — will exhibit this collection in the U.S. northeast.
Two new releases, led respectively by a saxophonist and a bassist, add to the growing mystique of trios in contemporary jazz.
Swiss composer Richard Flury’s engaging comic opera is a celebration of the life spirit, and a criticism of celibacy as a practice that cramps and distorts an individual’s basic humanity.
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