Review
The fourth edition of Boston Calling boasted the music festival’s strongest lineup to date and the performances did not disappoint.
As expected, Expedition to the End of the World is visually stunning. The problem is that we needed to see more of the world and hear less yakking from the humans who inhabit it.
When it comes to race relations, America has a lot on its plate — there is no good reason to serve leftovers.
Camerata Pacifica does right by John Harbison. And when it comes to Beethoven’s music for cello and piano, Jean-Guihen Queyras and Alexander Melnikov are tops.
If you’ve still got your collegiate cynicism, Steely Dan is still the perfect band to feed it.
The pleasures of Joni Mitchell: In Her Own Words are the pleasures of being a fly on the wall.
No No: A Dockumentary presents a textured portrait, on and off the field, of ’70s pitching phenomenon Dock Ellis.
“Magic” reflects the Mendes touch—more than 50 years of expert piano, arranging, and production chops, and a genius for choosing the right collaborators.
Privy Portrait portrays a contemporary human being who has lost all handholds, all footholds, all practical, moral, and metaphysical support—except for that provided by the articles of his beloved encyclopedia.
Although the production of The Last Days of Cleopatra is at times a bit hard to follow, patient audience members will be rewarded by a profound dramatic payoff.
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