Review
The Whole World focuses on the incoherence that lurks underneath the empowering narratives we tell about ourselves.
I’ve served on several dozen film juries about the globe in the last three decades. I can’t recall ever having a choice of so many splendid films from which to award a grand prize.
Slow West bursts with visual interest, but doesn’t seem to be able to settle on what story it wants to tell.
This is a powerful, intensely felt short novel about the lives of ordinary people by a very young Irish writer.
Had Daniil Kharms’ texts been available at the high tide of the Theater of the Absurd, his plays would be performed alongside those of Samuel Beckett and Eugene Ionesco.
Back To Fort Scott, a compact, affecting exhibition of meticulously printed black and white photographs, is like a grainy, retro speed bump between the museum’s adjacent galleries.
The comedy-tinged-with-drama touches on themes tackled by a bunch of recent indie movies that center on characters in their thirties and forties who feel like imposters in the world of adults.
H. relies on clever editing manipulations and pithy reaction shots rather than on flashy special effects.
Had they not had interesting and flourishing careers already in place, Elizabeth Schumann and Gloria Chien could give many full-time piano duos a run for their money.
Music Commentary Series: Jazz and the Piano Concerto — Balancing Acts at Symphony Hall
What makes pianist Jean-Yves Thibaudet an ideal interpreter of Ravel’s Concerto in G is his understanding of and appreciation for jazz.
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