Review
To say that Odyssey Opera continues to set the bar for opera performances in Boston may be a bit superfluous, but it’s true.
The sound was often so inviting that it seemed Wire were easing comfortably into middle age.
Bill Frisell and his quartet performed a program of well-worn American hits whose juxtapositions allowed you to make your own cross-references and draw your own conclusions.
In his Boston Globe review, Ty Burr complained Félix and Meira was needlessly slow in the telling. I felt that the movie is needlessly discreet.
Aloha comes across as Cameron Crowe’s baffling artistic suicide note to his adoring public.
Biographer Annie Cohen-Solal is perhaps strongest on one thread of Mark Rothko’s narrative: his experience as a Jewish immigrant.
Nobel laureate Patrick Modiano understands that time periods can mesh, interpenetrate, layer up, blend, and blur naturally in the mind.
Patrick Dougherty’s Stickwork is a remarkable piece of public art.
Author Vivian Gornick’s discontent is foundational, fertile, unquenchable, except by writing, and quite often funny.
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