Review
The overriding theme in Roy Andersson’s films is the conflict between human frailty and our delusions of control.
Powder Her Face proved the perfect capstone to Odyssey Opera’s month-long survey of British (mostly comic) opera: biting, darkly humorous, provocative, and relevant.
One thing I’ve learned in years of being a Rush fan: Nobody ever changes their mind on this band.
A round-up of films seen and people talked to at this year’s Provincetown International Film Festival — a moveable feast.
Bryan McPherson has come a long way from writing songs in the room next to mine in North Cambridge and then busking at Porter and Harvard Squares.
Benton’s art looks very much of its time, especially this selection of work that relates to cinema. Don’t let that fool you.
He came up with one of those transcendent Richard Thompson moments, one to match anything I’ve seen onstage this year.
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