Review
At the heart of The Women Who Mapped The Stars is a drama about the desire of significant female astronomers to be heard and respected.
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There is real suspense and pathos in this political drama, beneath the standard cinematography and pacing.
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A resplendent and spirited revival of The Sound of Music in downtown Boston.
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Mary Lee Bendolph’s designs are stunning works of contemporary design, lacking any taint of provincialism, with as much visual sophistication as you would find in any New York gallery.
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Mostly the New Orleans Jazz & Heritage Festival ends up being about the multiplicity and infinite variety of cultures and traditions, including generic funk.
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The performance’s excellent musicianship and many amusing moments were at the service of a relevant evening of commentary on the lighter side of the current news cycle.
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An intriguing cross-disciplinary concept gave birth to a pallid, underrehearsed production.
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Shining leads make up for a problem play that, in this production, has been further problematized.
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Variations and fugues are the overriding themes of pianist/composer Michael Brown’s captivating new album. If you’re an Andris Nelsons fan, this Deutsche Grammophon album won’t disappoint, and a disc that features three pieces by composer Ferdinand Ries, who was friendly with Beethoven, is worth hearing.
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David Lang’s score is hypnotic, and Emmanuel Music’s quartet of singers gave wonderful renditions.
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